Programmable Voltage Supply?

December 19, 2010

John asked:

Is there any value in a programmable(manual or C/C++) power supply for anodizing?

Say Vout=20+(110*N/(255)); // N=0,1,2,3,4,…255

Giving {20,20.4, 20.8,21.2…129.6, 130}

I can also make this power limited to approximately 13W(0.10A at 130VDC)

I am not selling anything! I am just wondering if this is a worth while adventure.

As a fellow electrical and programming geek, I see the appeal of the project. But practically speaking in terms of anodizing titanium, no. The color is determined by the final voltage, and the faster you get there, the better.

Also, I use down to 8 volts on occasion. And the lower voltages are more color sensitive than the higher, so it should either be 16 bit linear, or have exponential or quadratic output, as in

vOut = (((N/64)^2 + N) *120/255) + 5 // N={0…255}

But if you were to rig an x-y table to such a supply, one could then “print” in anodized colors. However, there is a limited palette. And also one would have trouble with certain adjacent colors, and have to adjust the lateral speed to be proportional to voltage, and maybe fluid flow through the dielectric cathode, and several other engineering considerations.

As such, it becomes fun and useful. But a lot more work. Then you would be able to share it on HackADay.com or Makezine.tv or some such.

In order to make such a project marketable, one would have to write the CADD end to prevent unfulfillable designs. Artists have to have limits imposed.


Is TSP/90 as Good as TSP for Anodizing?

December 13, 2010
TSP90
TSP 

James asked, “Will the TSP/90 Phosphate Free products work as well as the standard TSP brands?”

An excellent question. My first impulse is, “I doubt it.” But I am not sure. The folks at ReactiveMetals.com might have some insight (that I would share here if passed along).

TSP/90 is made with Sodium metasilicate and pentahydrate. So it is an alkali electrolyte with plenty of oxygen carriers in it. So far, so good. But as a cleanser it appears to suffer from leaving behind a film; a bad sign.

If you are concerned about the potential harm of artificial phosphates in the environment, anodizing is not a significant supply. I have been using the same 8 oz. box of actual TSP for the last dozen years. That’s equivalent to a few weeks of laundry. The same batch of electrolyte can keep on going for months, by adding distilled water (the part that is used up) and an occasional pinch of TSP crystals (to keep up the concentration from the drops removed by pulling out pieces). Occasionally, I filter out the dust and bring it to a boil to make sure it stays sterile.

If you want to be even more environmentally correct, use ammonium phosphate (lawn fertilizer) and then dispose of your old electrolyte by spraying it on your lawn. I used a box of this through the 1980’s and 1990’s.

One of these days, I’ll probably expound why the lingering phosphate meme of the 1970’s was somewhat misguided in the first place.


Why add a capacitor to the Anodizer?

August 6, 2008

I received the following question:

I have a variac and full wave rectifier but no cap.
What is the reason behind adding a capasitor to the anodizer? I know it will reduce electrical ripple but what will it mean to the anodize process or final results?

In principle, the smoother, ripple-reduced output allows more even anodizing starting at the initial surge. Whether this is truly useful, I don’t really know. My experience is almost exclusively with a smoothed DC supply. But I have a switch on my main anodizer to disconnect the capacitor for those occasions when I feel like it.

RMS vs Peak Voltage The voltage will read wrong with ripple. The anodized color depends on the peak voltage. But a rippled current shows on a meter as the rms voltage, that is somewhat lower. So the color is less predictable, and the time spent at that voltage is more critical to watch.

Also, once you reach your final voltage (or at least asymptotically close enough), the smooth DC current is stopped. But a rippling supply still produces a trickle of  current as the piece you are anodizing acts as a capacitor. If you wait long enough, you can see the color continues to rise at a fixed ripply voltage.

This latter point is more important if you mask and do a succession of lower voltages for multiple colors. With ripple, the higher voltage colors will creep as you anodize the lower voltage areas.

Another note is that AC is more dangerous than DC. Edison (General Electric) made sure that the first electric chair used the AC current promoted by his rival Tesla (Westinghouse), to popularize that point. (source) But I doubt it makes much difference in any practical sense of anodizer safety.


Epoxy Resin and Allergic Contact Dermatitis/Eczema

May 13, 2008

Titanium and Niobium cannot be soldered, so I am told.

So, short of Fusion Welding, Jewelers 2-part Epoxy seems to be the only alternative for bonding these elements.

There are 2 concerns regarding Epoxy Resin.

First, and foremost, is the fact that Epoxy Resin is an allergen causing agent in itself. Although not everyone suffers from Allergic Contact Dermatitis/Eczema, those of us who do, seem to be prone to react to a specified list of items. Epoxy Resin is one of them.

This means, in jewelry design, it is important that no Epoxy touch the skin. Although it is acceptable under governmental code (even in California), to label a pierced earring “hypo-allergenic” if at least, the post itself contains no allergen causing agents, the fact is, it’s not just the post that comes into “contact” with our skin.

Second, it is difficult to adhere Titanium and Niobium with Epoxy Resin. But I have found that attention to certain details seems to be the answer for success.

* The larger the two surfaces to be bonded, the more secure the bond.

* Etch the two surfaces well. Epoxy needs nooks and crannies to create a place to bond. I usually do this with needle files, in a cross hatch fashion. Filing in both directions creates an etching effect, as opposed to filing in one direction which creates a buffed effect.

* Remove all dirt, debre, and skin oils from the surfaces to be adhered. Rubbing alcohol works fine for this.

* 2-part Epoxies contain Resin, and Hardener. It’s important to use equal amounts of each. I use a paper plate and squeeze equal sized drops of each, next to one and other. Give it a moment to make sure that the two liquids (which are different in consistency to each other) are actually equal. Then I mix well with a toothpick, and apply evenly to one of the surfaces.

* I then have 5 minutes to set the second surface, press into place, and remove any excess (with a dampened cloth.

* I usually let this cure under a lamp for 12 hours. Then test the adhesion by trying to remove the two components from one and other. If it doesn’t come apart, I consider it a success. If it does come apart, it usually means that I didn’t etch the surfaces well enough.

Follow up care to the finished piece should include the following considerations. Don’t soak the piece for any length of time. Don’t use harsh chemicals on the piece. Both of these actions can loosen the epoxy.


Titanium Grinding vs. Tumbling

May 1, 2008

Harbor Freight bench shear

I’ve tried a few different methods over the the years to reduce my hands-on time in getting rid of those razor-sharp fresh-cut titanium edges. I started doing this with essentially no tools or money to buy any. I first bought tin snips, and then a small bench shear something like the one pictured.

Polishing MotorThe merciless edges on fresh cut titanium encouraged me to buy leather gloves. To remove those edges, I first used emery paper (wet/dry sand paper) to smooth them. But the tedium soon urged me to learn that a motor, a couple of taper spindles, and Cratex wheels (rubberized carbide) were much faster and spit few sparks. I put my grinder/polisher together from a salvaged ¼ horse motor and parts from a mail-order catalog (this was around 1980). Now there is website: www.RioGrande.com and you can get everything there. But grinding small parts ended up using up finger tips; both gloves and my own.

Harbor Freight Cheap Rock TumblerOn a whim, I tried out my childhood rock tumbler. I just cut up a bunch of pieces, and threw them in with some rocks, and let them go for a week, then three weeks. There was some rounding of the sharp edges, but not much nor fast. I then ordered abrasive ceramic media from RioGrande, and tried that in place of the rocks. After a couple of weeks, nice, smooth edges. The ceramic media lasts for many uses (I have yet to reorder). You can also get it cheaply from HarborFreight, here or at your local Harbor Freight shop. You can also try rock shops, craft stores, or online.

Lightweight vibratory cleaner/polisherBut, c’mon! Weeks? So (many years later) I went to eBay to find a vibratory polisher. I wasn’t ready to spend $500 on a name-brand one at RioGrande. So I found one specified to clean shotgun shell casings for about $60 delivered. It has a clear top, so I could watch the pieces and media do their thing. It reduced the time to about 4 days. I ran it with a dry load, with no water or agents. Amusingly, the dust that grinds off from the media is hydophobic! Water runs right off of it, like mercury on glass. I found that adding tap water at the end and vibrating for another hour suspended the dust in the water and didn’t darken the titanium too much. Anyway, I etch after I tumble.

But I never did manage to get a shine with this machine. I tried ceramic media and porcelain media, I used polishing compounds, ran it wet, ran it dry, and still my best was a matte finish. My worst was that the titanium turns almost black in water with porcelain.

Harbor Freight Vibratory PolisherSo I thought I’d try another type of vibrator. I got it from eBay, and then found that I could have driven across town to HarborFreight and gotten the exact same unit for about $25 less. I first tried running it wet with porcelain. Blackish titanium, eww. I etched the titanium clean, and then tried dry with ceramic media: Shine! Trumpets and doves and a beam of light from above. The gray ceramic media turned dark and shiny in 24 hours, as the titanium deburred and gleamed.

Had this not worked, I would have finally bought a professional (expensive) circulating fluid vibrator assembly (Raytech). But I’ll hold off on those.


Fusion Welding

March 28, 2008
I’ve been interested in learning how to fusion weld, for a long time, but the Sparkie is so expensive. Does anyone know of a fusion welder that would be less expensive, or even an experienced fusion welder who would provide welding services for a fee?Also, would it be possible to create a “nib” of our own for welding purposes, or do the dimensions (etc.) of the nib have to be exact to get a good solid weld?

Thanks for any help.

-Maggie


How can I get consistent colors?

March 26, 2008

This frustrated email arrived today:

I live in Belgium (Europe) and have been making titanium jewellery for 4 or 5 years now. Sometimes I colour the pieces. I have a machine from Wieland, a German company. All this time I did not have any problems because the pieces I made had always the same size. Now lately we are doing titanium leaves in various sizes; Grade 2 thickness 0.5 mm. The problem with coloring these pieces is that I do not seem to have any control over the colours due to the variable sizes of the pieces. Is there a way to make a formula that gives me control (more or less) by taking the weight of the piece? Because of the irregular shape it is impossible to know the amount of surface I am working with.

At the moment I am really taking what comes out of the machine. I did make several colour charts using various shapes but with pieces 6 to7 times as big as my trials I have no control .

I would be very grateful if you have some advise on this, or maybe even a solution.

Thanks in advance.

Peter

My reply: I can’t know exactly what the problem is, for I encounter the same difficulties.
The color you end up with is a function of the electrical current density, the total time, the surface finish, and the grade/alloy (which also affects finish and current flow).

The weight is not as good an indicator as the surface area. If all the pieces are always the same thickness, then the two are functionally interchangeable. But the risk is that if you calibrate on weight, and then start working with other thicknesses, the calibration will not stand.

I passed the question on to Bill Seeley.


How can I build an anodizer for UK Current?

March 22, 2008

Another reader question:

I am thinking of making an anodizer based on your anodizer digram. I live in the UK but was thinking that the volts for your electricity is different from the UK’s 240 volts?
If so do you know any diagrams that can help me with this, what I need to change?
My first thought is: In the UK, you can use the same Variac circuit. I wouldn’t trust the dimmer circuit because of the instability at lower voltages.
The U.S. uses 110 vac (150 volt peak), so we use about 3/4 of the range of the variable transformer (less if it is wired to provide over-voltage).
In the U.K, you would just just use 3/8 or even half of the available range.

If you really want to use the inferior dimmer-switch design, you can probably find a simple step-down transformer to cut your voltage in half upstream of the rest of the circuit.

Then came a follow-up:

Thank you for your reply; it was a big help. I am going to be doing the variable transformer one. I have been looking for stuff, but wow its hard to find anything that is needed.

I didn’t like the idea of using light bulbs, so I wanted to get Power resistor 200w 100 ohm but no one sells them, any idea of other Power resistors that I could use?

Try eBay.

I found several by a simple search for 200 watt resistors on eBay. You could vary the search for whatever power and resistance values you want, or use a search to find a good seller, and then ask them if they have what you need.

There are also a wide variety of variable transformers on eBay. But these heavy items cost more to ship, especially internationally.

Before the internet, I always shopped an electronics salvage store in my county. Many cities have at least one of those. Some junk yards and metal salvage yards also have a room full of gizmos that seem too nice to melt down. Call around.

Note: If you are not comfortable rewiring a lamp or replacing an electrical outlet, then you are probably not qualified to build your own anodizer. Buy a read-made regulated 0-150 vdc power supply.


How can I make some of those Fancy Titanium Colors?

March 21, 2008

Another question from a visitor to my regular site:

I’m starting to anodize on my own. How do they create that color “oil slick” in the picture or the “rainbow”?


The many simple colors are all based on voltage, as described in my anodizing page.

The stripes are made by masking off areas with something waterproof, like automotive striping tape. Then anodize to a high voltage color. Then remove the tape, and anodize to a lower color. The high voltage color blocks the lower voltage colors. Voila, stripes!

The rainbow can be made in several ways. The fastest is to turn the voltage up and the contacts off, immerse the piece,  then turn the contacts on and draw the piece out of the electrolyte. The color is now dependent on the immersion time rather than the voltage setting.

The oil slick is trickier. This is probably done by sponge or brush anodizing (clip the positive lead to the piece, and the negative to something absorbent soaked in electrolyte. Then very carefully apply the high voltage wet thing to the charged piece. Rubber gloves and goggles are required. If metal touches metal, then you are practicing welding. Bright sparks, damaged pieces, and possibly damaged electronics.


Can you make red anodized titanium Jewelry?

March 20, 2008

The short answer is: “No.”

In detail, the colors are caused by a particular trick of physics: Optical Interference. As is described in detail on this page, the colors are limited by the behavior of photons. There is no dye or coloring agent to give us precise control.

Red, in particular, cannot be produced because it’s wavelength is twice as long as blue. So if the interference allows red, it also allows the shorter blue through. This creates the secondary color called Magenta, red-violet, or purple.